Arthur C. Pillsbury Collection | The Seattle Public Library
  • Drum group, Volunteer Park Be-In, April 30, 1967

    Drum group, Volunteer Park Be-In, April 30, 1967

    Large, Jack

    Volunteer Park drum group at Be-In

    Identifier:

    Date: 1967-04-30

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  • The white spot

    The white spot

    Kunishige, Frank A.

    Frank Asakichi Kunishige was born in Japan on June 5, 1878. He came to the United States via San Francisco in 1895. After graduating from the Illinois College of Photography, he opened a small photography studio in San Francisco. Kunishige moved to Seattle in 1917. In the same year, he married Gin Kunishige and began working in the studio of Edward S. Curtis where he became acquainted with Ella McBride who he worked for in later years. Kunishige was well known for his use of Pictorialism, a popular painterly style of photography. He developed his photographs on "textura tissue," a paper of his own creation, which allowed him to produce almost dreamlike prints. His work was featured nationally and internationally in exhibitions and publications such as Photo-Era and Seattle's Town Crier. In 1924, Kunishige became one of the founding members of the Seattle Camera Club, a group of local photographers including Kyo Koike, Yukio Morinaga, Iwao Matsushita and Fred Y. Ogasawara who gathered to share techniques and ideas, as well as their deep love of the medium. Although the group was initially solely Japanese, they soon welcomed more members including Ella McBride, their first female member. When World War II struck and the country's Japanese internment policy was put in place, Kunishige and his wife were forced to leave Seattle for Idaho where they were interned at the Minidoka camp. After their release, Kunishige spent two years working at a photography studio in Twin Falls, Idaho but eventually returned to Seattle due to his poor health. Frank Kunishige passed away on April 9, 1960.

    Identifier: spl_art_367924_05

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  • One view from Jack Large's bedroom window, 1419 Madrona Dr., January 1968

    One view from Jack Large's bedroom window, 1419 Madrona Dr., January 1968

    Large, Jack

    One view from Jack Large's bedroom window at 1419 Madrona Drive

    Identifier:

    Date: 1968-01

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  • Puget Sound Plaza from 3rd and Union, May 1967

    Puget Sound Plaza from 3rd and Union, May 1967

    Large, Jack

    Seattle downtown office building (Federal Building?) [incorrect]

    Identifier:

    Date: 1967-05

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  • Rhythm in colors

    Rhythm in colors

    Washington, James W., 1911-2000

    James Winston Washington Jr. was born in Mississippi in 1909. He moved to the Pacific Northwest in the 1940's where he studied at the University of Washington Extension Program with painter Yvonne Twining Humber and printmaker Glen Alps. He also studied briefly with Mark Tobey. Washington exhibited in the Northwest Annual in 1948 and was curator for annual art shows at the Mount Zion Baptist Church in Seattle, Washington. He was a frequent lecturer at universities and colleges and earned an honorary doctorate from the Center for Urban Black Studies, Berkeley, California in 1975. He died in 2000.

    Identifier: spl_art_W276Rh

    Date: 1950

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  • Municipal News v. 55, no. 15, Sep. 13, 1965

    Municipal News v. 55, no. 15, Sep. 13, 1965

    Includes Report on Candidates for Seattle School Board and Port of Seattle Commission. Primary Election, Tuesday, September 21, 1965.

    Identifier: spl_mn_818362_55_15

    Date: 1965-09-13

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  • Nightmare

    Nightmare

    Kunishige, Frank A.

    Frank Asakichi Kunishige was born in Japan on June 5, 1878. He came to the United States via San Francisco in 1895. After graduating from the Illinois College of Photography, he opened a small photography studio in San Francisco. Kunishige moved to Seattle in 1917. In the same year, he married Gin Kunishige and began working in the studio of Edward S. Curtis where he became acquainted with Ella McBride who he worked for in later years. Kunishige was well known for his use of Pictorialism, a popular painterly style of photography. He developed his photographs on "textura tissue," a paper of his own creation, which allowed him to produce almost dreamlike prints. His work was featured nationally and internationally in exhibitions and publications such as Photo-Era and Seattle's Town Crier. In 1924, Kunishige became one of the founding members of the Seattle Camera Club, a group of local photographers including Kyo Koike, Yukio Morinaga, Iwao Matsushita and Fred Y. Ogasawara who gathered to share techniques and ideas, as well as their deep love of the medium. Although the group was initially solely Japanese, they soon welcomed more members including Ella McBride, their first female member. When World War II struck and the country's Japanese internment policy was put in place, Kunishige and his wife were forced to leave Seattle for Idaho where they were interned at the Minidoka camp. After their release, Kunishige spent two years working at a photography studio in Twin Falls, Idaho but eventually returned to Seattle due to his poor health. Frank Kunishige passed away on April 9, 1960.

    Identifier: spl_art_367924_17

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  • Pearls

    Pearls

    Kunishige, Frank A.

    Frank Asakichi Kunishige was born in Japan on June 5, 1878. He came to the United States via San Francisco in 1895. After graduating from the Illinois College of Photography, he opened a small photography studio in San Francisco. Kunishige moved to Seattle in 1917. In the same year, he married Gin Kunishige and began working in the studio of Edward S. Curtis where he became acquainted with Ella McBride who he worked for in later years. Kunishige was well known for his use of Pictorialism, a popular painterly style of photography. He developed his photographs on "textura tissue," a paper of his own creation, which allowed him to produce almost dreamlike prints. His work was featured nationally and internationally in exhibitions and publications such as Photo-Era and Seattle's Town Crier. In 1924, Kunishige became one of the founding members of the Seattle Camera Club, a group of local photographers including Kyo Koike, Yukio Morinaga, Iwao Matsushita and Fred Y. Ogasawara who gathered to share techniques and ideas, as well as their deep love of the medium. Although the group was initially solely Japanese, they soon welcomed more members including Ella McBride, their first female member. When World War II struck and the country's Japanese internment policy was put in place, Kunishige and his wife were forced to leave Seattle for Idaho where they were interned at the Minidoka camp. After their release, Kunishige spent two years working at a photography studio in Twin Falls, Idaho but eventually returned to Seattle due to his poor health. Frank Kunishige passed away on April 9, 1960.

    Identifier: spl_art_367924_18

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  • Pencil sketches of CCC camps: K.P. duty - peeling spuds.

    Pencil sketches of CCC camps: K.P. duty - peeling spuds.

    Norling, Ernest R. (Ernest Ralph), b.1892

    Identifier: spl_art_N779Pe10

    Date: 1934

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  • Martinez seizes Colnett's ship

    Martinez seizes Colnett's ship

    McAllister, Parker S. (1903-1970)

    Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.

    Identifier: spl_art_291985_16.149

    Date: 1955

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